Within the immersive arena of world animation where anything is feasible, director René Laloux’s counterculture gem, “Incredible Planet” (“La Planète sauvage”), stays unrivaled in its strange and surreal fable set on the pastel-hued alien planet of Ygam.
And today on the occasion the French movie’s milestone fiftieth anniversary, its themes and symbolisms feel much more relevant than when it originally premiered as a result of its detailed worldbuilding, haunting characters and musician Alain Goraguer’s jazzy rock rating that leaves an entrancing effect on adventurous souls who fall victim to its innumerable emotional charms.
This cult feature film rattled the inventive medium starting back on Dec. 1, 1973 when it was first released and has remained a touchstone of inspiration and influence for generations ever since. Its politically charged allegory of violent oppression set on a bizarre world is injected with hot topic Earth-like problems with racism, animals rights, tyranny and enslavement, all presented here for viewers’ moral meditations while being embraced in a delirious cartoon fever dream.
Here’s the official synopsis:
“This animated tale follows the connection between the small human-like Oms and their much larger blue-skinned oppressors, the Draags, who rule the planet of Ygam. While the Draags have long kept Oms as illiterate pets, this hierarchy shifts after an Om boy becomes educated, because of a young female Draag. This results in an Om rebel, which weakens the Draag control over their race. Will the Oms and the Draags discover a solution to coexist? Or will they destroy one another?”
Laloux’s landmark project which was adapted from Stefan Wul’s 1957 novel, “Oms en série” (“Oms by the Dozen”). Stefan Wul was actually the pen name of Pierre Pairault (1922–2003), a dental surgeon who dabbled in science fiction stories while not practicing his toothy trade.
The trippy 72-minute movie was produced as a joint cinematic enterprise between France and Czechoslovakia and featured an adapted screenplay courtesy of Laloux and Roland Topor. Original drawings were conceived by Roland Topor, with additional character and scene animation by Josef Kábrt & Josef Vánǎ.
Science fiction has at all times been a form of reflective canvas with which to stealthily examine the lesser angels of humankind’s true nature, and here in “Incredible Planet’s” wildly imaginative realm, fans were free to explore these issues in a hostile setting completely foreign yet in some way vaguely familiar.
“Incredible Planet” deservedly won the Special Jury Prize on the Cannes Film Festival in 1973 and is a first-rate example of the psychedelic era’s interesting type of cutout stop motion animation that will often be seen showcased in Monty Python’s humorous animated collages.
Upon a fresh viewing of “Incredible Planet,” one is swept away into hallucinatory vistas of the exotic planet of Ygam. It has a trance-like, narcotic quality and viewers are lured into its Salvador Dali-like environments and phantasmagoric creatures.
Other than being currently available to screen on the Max streaming platform, The Criterion Collection has released a hi-def Blu-ray transfer featuring a brand new 2K digital restoration, with a uncompressed monaural soundtrack, alternate English-language soundtrack, “Les temps morts” (1965) and “Les escargots” (1966) short movies by director René Laloux and illustrator Roland Topor, “Laloux sauvage,” a 2009 documentary on Laloux, a 1973 interview with Topor, official trailers, latest English subtitle translation, and an illuminating essay by critic Michael Brooke.
“Incredible Planet” represents a high-water mark for boundary-pushing animation of the Nineteen Seventies. Though some facets of its weird wonders have trickled down into the myriad creations of filmmakers, artists, painters, sculptors, authors, and video game designers over the a long time, there’s still no substitute for the surreal artistry of this original classic that first won over each critics and audiences some fifty years ago.